Who choreographed american utopia11/21/2023 ![]() ![]() Lee does an admirable job of shooting the performance from every conceivable angle, although while the overhead shots are quite cool, one could probably do without closeups on Byrne’s feet, which along with the rest of the performers, are bare.īyrne’s playlist includes the hit “Burning Down the House,” and a boisterous rendition of “Road to Nowhere,” which includes a march through the appreciative audience. The main drawback is that while Byrne addresses pressing issues during his chatting with the audience – including the importance of voting, and introducing his performance of Janelle Monae’s “Hell You Talmbout,” name-checking Black people killed by police – there’s scant thematic adhesive to the presentation, unlike some other productions wedding rock to Broadway (Bruce Springsteen’s “Springsteen on Broadway,” filmed for Netflix, comes to mind). On the plus side, that sense of fun is entertaining enough. (Like CNN, HBO is a unit of WarnerMedia.)īyrne, the Talking Heads front man, has always possessed a theatrical and cinematic flair, including his 1986 directorial effort “True Stories.” Those qualities inform “American Utopia,” a collection of songs – imaginatively choreographed and lit – that conveys the joyous and playful aspects of his music. ![]() Notably, HBO Max’s “The West Wing” special also captures some of that by bringing a TV show to the stage for the purposes of watching at home. Together, they underscore what “Hamilton” so impressively accomplished by conjuring that elusive magic. Tickets are available here.With Broadway marquees dark, this weekend brings a welcome double dose of the New York stage to TV screens: “American Utopia,” David Byrne’s free-spirited concert, directed by Spike Lee for HBO and “What the Constitution Means to Me,” Heidi Schreck’s not-quite one-woman show, a searing political commentary that finds an at-home forum via Amazon.īoth shows are worth the time, although seeing them at home, frankly, reinforces what’s lost in translation given the tingle that live theater, at its best, can send up your spine – a sensation that doesn’t quite emerge on either front. This week, Muse played an epic charity show at London’s Royal Albert Hall – in which they debuted new material as well as treating fans to “ 15 minutes of metal“. Recently things that stood out would be David Byrne’s show that he did and also Sia who I think is very good with making the stage look very minimal, stripped down.” But also U2 in terms of their ability to make large spaces intimate and emotional for the people in the back. Last month, Bellamy revealed that he’d been inspired by the highly-choreographed ‘American Utopia’ tour by David Byrne – which NME said “might be the most ambitious and impressive live show of all time“.Īsked by Forbes about which live shows he most aspires to, Bellamy replied: “It used to be Rage Against The Machine in terms of energy at certain points in our show. We’ve done a lot with technology – the screens and drones and so on – but I think it is time for us to do something that involves people and get a cast together that brings our songs to life with people performing.” “It won’t be dance routines – but choreographed theatrics of some kind. “I think I am interested now in making the show involve a lot of additional people,” Bellamy told the BBC. However, this time frontman Matt Bellamy says he wants them to be a more “human” affair. The band, renowned for their highly theatrical and technical live shows, will be taking their acclaimed 2018 album ‘Simulation Theory’ on the road next year for a run of stadium gigs. Muse have revealed that their 2019 world stadium tour will be largely “choreographed”, rather than leaning on technology. ![]()
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